“Saved – with more than a little help from our friends”
February 18, 2021
Chris Daniels, Director of Slapstick Festival, Bristol’s annual celebration of silent comedy which has been delighting audiences for more than 15 years, fills us in on the festival’s toughest year yet, as Slapstick Live Online 2021 (1-7 March) triumphantly gears up for launch…
COVID-19 almost put an end to Bristol’s annual Slapstick Festival of silent and classic visual comedy.
The festival is unusual in that ever since it began in 2005
it has raised the bulk of its running costs itself – thanks partly to the no
cost or low-cost input of numerous helpers and to the willingness of many
celebrity fans to take part, as event hosts or in fund-raisers.
But a major factor in the festival’s popularity with ticket
buyers is that it provides a rare chance to watch old silents as they were made
to be seen – on a big screen, with a live musical accompaniment and as part of
a packed audience all laughing together.
And, clearly, neither this nor any other Slapstick events, including its income-providing Stand-up For Slapstick gigs or Comedy Legend Award shows would be possible while the pandemic was forcing the shut-down of live entertainment venues, large and small.
Slapstick’s first priority was to keep the idea of the festival alive and help to boost the nation’s spirits. Enter Laughter in Lockdown – a steady release for free viewing on YouTube of film shot at various one-off special Slapstick events and never before made available to the public.
The series included unique shows featuring the likes of Sir
Ken Dodd, French and Saunders, The Goodies and Little and Large, among many
others, and proved hugely popular, amassing almost 100k views already and still
But free stuff doesn’t bring in cash. And by the summer of
2020, the future of the festival was looking grim, with no money to fund any of
the prepping involved in staging a festival screening multiple films from a
wide range of international sources in several different venues and requiring specialist
kit, technical expertise, detailed research, rights payments as well as
publicity costs and accommodation for celebrity guests and musicians.
Faced with a choice of flounder or fight, the festival raised an army – asking its celebrity friends to take part in a crowdfunding campaign in which donors would be rewarded with places at an online variety show: Slapstick’s Big Comedy Night In.
Touchingly, more stars than Slapstick ever expected agreed to create content for the show – among them Frankie Boyle, Jo Brand, Rory Bremner, Rob Brydon, Abi Clarke, Jack Dee, Hugh Dennis, Stephen Fry, Harry Hill, Tony Hawks, Lee Mack, Paul McGann, Stephen Merchant, David Mitchell, Sir Michael Palin, Lucy Porter and Debra Stephenson.
The initial target for campaign was £5k but this was
surpassed within days of its start and the final total raised was just short of
£11,000, with many of the donations accompanied by uplifting messages showing
the public’s love of the festival.
Slapstick was saved but in what form? To find out, visit www.slapstick.org.uk for a link to the Slapstick Live Online programme streaming from March 1 to 7 and featuring all the usual Slapstick favourites, including old films, comedy conversations, artist spotlights, expert talks, live music, famous guests and lots of laughter.
Throughout this whole process, Slapstick has learned the
immense value of being based in Bristol UNESCO City of Film and the
co-operative ethos it encourages. As a result, the festival has been able to
call on many like organisations for help and advice, especially around the
switch to increased online activity.
Among those who have been particularly helpful are Aardman, the BFI (British Film Institute0 through its resilience funding scheme and Film Audience Network, Bristol City Council, for coronavirus business interruption grant; Cary Grant Comes Home Festival, Encounters, FilmBath, Film Hub SW, Limekiln Studios, Skylark Media and Watershed.
Everyone involved with the festival is looking forward to
when live events can be staged safely in venues again but for now is relishing
the discovery that there are advantages to being online. One is that the March
1 to 7 edition will be more international than ever before. Another is that the
audience promises to be more international, too, with bookings already coming
in from many parts of mainland Europe, across the USA and Australia.